To Achieve Great Things
To Achieve Great Things
To Achieve Great Things
To achieve great things,
To Achieve Great Things
Two
Two
Two
Two
Two
Things
Things
Things
Things
Things
Are Needed: A PLan
Are Needed: A PLan
Are Needed: A PLan
Are needed: A plan
Are Needed: A PLan
and not Quite enough Time.
and not Quite enough Time.
and not Quite enough Time.
and Not Enough Time.
and not Quite enough Time.
- Leonard Bernstein
- L. Bernstein
- Leonard Bernstein
- L. Bernstein
- Leonard Bernstein
At our core, we challenge the traditional music house model by eliminating unnecessary executive oversight and embracing a streamlined, creative-first approach
At our core, we challenge the traditional music house model by eliminating unnecessary executive oversight and embracing a streamlined, creative-first approach
At our core, we challenge the traditional music house model by eliminating unnecessary executive oversight and embracing a streamlined, creative-first approach
PROUDLY
PROUDLY
PROUDLY
PROUDLY
AWARDED
AWARDED
BY
BY
BY
BY
PROUDLY
AWARDED
WITH
BY
OUR COMMITMENT TO ARTISTRY
By prioritizing your budget for creative work, we make room for elevated production, including recording live musicians. We've recorded everything from full orchestra to Celtic harp to ocarina (the "flute" in Zelda, but also a traditional mayan instrument that we tracked in the score for Cenote). These days, when digital instrumentation is often "enough," we go the extra mile by infusing the power and nuance of human musicianship into our music
OUR PROMISE TO THE ARTISTS
Our direct-to-creative model guarantees two things:
You get the production quality you need without the hassle (and risk) of finding and hiring freelancers.
Your budget goes directly to the composers, ensuring fair compensation and putting value where it belongs: directly into into the artistry.
The best of both worlds? Hannah Montana might have sang it first, but we deliver it better.
So in short, we operate more like a collaborative collective than a conventional music house—a powerhouse of freelance talent united by shared creative resources and a commitment to exceptional production.
OUR COMMITMENT TO ARTISTRY
By prioritizing your budget for creative work, we make room for elevated production, including recording live musicians (we've recorded everything from full orchestra to Celtic harp to ocarina, and everything in between). These days, when digital instrumentation is often "enough," we still like to go the extra mile by infusing the power and nuance of human musicianship into our music
OUR PROMISE TO THE ARTISTS
Our direct-to-creative model guarantees two things:
You get the production quality you need without the hassle (and risk) of finding and hiring freelancers.
Your budget goes directly to the composers, ensuring fair compensation and putting value where it belongs—into the artistry.
The best of both worlds? Hannah Montana might have sang it first, but we deliver it better.
So in short, we operate more like a collaborative collective than a conventional music house—a powerhouse of freelance talent united by shared creative resources and a commitment to exceptional production.
Our Members
Sam Clawson
Creative Director / Music Supervisor
As a music supervisor, Sam has curated music for hundreds of projects, including brands like Garnier, Hoka, Apple, and networks like Netflix (Emily in Paris), The CW (Nascar Xfinity Series), ABC, NBC, etc.
As a composer, Sam's work spans a breadth of creative disciplines, including musical theatre, dance, film, and string arranging / producing for artists. Sam resides in Utah with his wife and son.
Nenjah Nycist
Executive Producer / Composer
Nenjah Nycist is a NYC born and based award-winning artist and producer with work that has been recently nominated for an NAACP Image Award.
As an artist, Nenjah has collaborated with acts such as Mick Jenkins, Freeway, ENess, Redman, Black Milk, Declaime, and his music can be heard on Netflix, Max, and Cosmopolitan, including on the acclaimed Only You Animated Series
Alana Portzline
Composer
Alana Portzline is a composer for film, media, and concert halls, employing versatile contemporary styles that range from synthesizers to symphony orchestra.
Her recent work includes advertising campaigns for Carhartt and eBay, as well as a commissioned piece for the Royden G. Derrick Planetarium, performed by the renowned Budapest Scoring Orchestra.
Alana Brewer
Sound Designer
Kyra is an Emmy award winning sound designer for visual media. She joined JAM Collective in 2024, after securing a reputation as one of the most sought out audio engineers in the business, most recently for the upcoming Grant S. Johnson feature film, "A King's Curtain."
Andy Brewer
Sound Designer
Andrew Brewer is an AES Gold Award winning audio engineer and composer. Beyond his extensive contributions to JAM's brand projects, Andy also has a passion for video game sound, and is currently working on upcoming titles like Green Hawk Platoon & Combo Devils.
Daniel Davis
Composer
Daniel is a passionate film and video game composer. While he loves to write orchestral music, he also enjoys composing electronica, jazz, folk, and sacred music. Having lived in Illinois, California, Romania, Kentucky, and Utah, Daniel now calls Nashville, Tennessee home.
Let's Pop
The LId
OUR COMMITMENT TO ARTISTRY
By prioritizing your budget for creative work, we make room for elevated production, including recording live musicians. We've recorded everything from full orchestra to Celtic harp to ocarina (the "flute" in Zelda, but also a traditional mayan instrument that we recorded in the score for Cenote). These days, when digital instrumentation is often "enough," we're committed to going the extra mile by infusing the power and nuance of human musicianship into our music
OUR PROMISE TO THE ARTISTS
Our direct-to-creative model guarantees two things:
You get the production quality you need without the hassle (and risk) of finding and hiring freelancers.
Your budget goes directly to the composers, ensuring fair compensation and putting value where it belongs: directly into the artistry.
The best of both worlds? Hannah Montana might have sang it first, but we deliver it better.
So in short, we operate more like a collaborative collective than a conventional music house—a powerhouse of freelance talent united by shared creative resources and a commitment to exceptional production.
Our direct-to-creative model guarantees two things:
You get the production quality you need without the hassle (and risk) of finding and hiring freelancers.
Your budget goes directly to the composers, ensuring fair compensation and putting value where it belongs: directly into the artistry.
The best of both worlds? Hannah Montana might have sang it first, but we deliver it better.
So in short, we operate more like a collaborative collective than a conventional music house: a powerhouse of freelance talent united by shared creative resources and a commitment to exceptional production.
Our Members
Sam Clawson
Creative Director
As a music supervisor, Sam has curated music for hundreds of projects, including brands like Garnier, Hoka, Apple, and networks like Netflix (Emily in Paris), The CW (Nascar Xfinity Series), ABC, NBC, etc.
As a composer, Sam's work spans a breadth of creative disciplines, including musical theatre, dance, film, and string arranging / producing for artists. Sam resides in Utah with his wife and son.
Nenjah Nycist
Executive Producer / Composer
Nenjah Nycist is a NYC born and based award-winning artist and producer with work that has been recently nominated for an NAACP Image Award.
As an artist, Nenjah has collaborated with acts such as Mick Jenkins, Freeway, ENess, Redman, Black Milk, Declaime, and his music can be heard on Netflix, Max, and Cosmopolitan, including on the acclaimed Only You Animated Series
Alana Portzline
Composer
Alana Portzline is a composer for film, media, and concert halls, employing versatile contemporary styles that range from synthesizers to symphony orchestra.
Her recent work includes advertising campaigns for Carhartt and eBay, as well as a commissioned piece for the Royden G. Derrick Planetarium, performed by the renowned Budapest Scoring Orchestra.
Alana Brewer
Sound Designer
Kyra is an Emmy award winning sound designer for visual media. She joined JAM Collective in 2024, after securing a reputation as one of the most sought out audio engineers in the business, most recently for the upcoming Grant S. Johnson feature film, "A King's Curtain."
Andy Brewer
Sound Designer
Andrew Brewer is an AES Gold Award winning audio engineer and composer. Beyond his extensive contributions to JAM's brand projects, Andy also has a passion for video game sound, and is currently working on upcoming titles like Green Hawk Platoon & Combo Devils.
Daniel Davis
Composer
Daniel is a passionate film and video game composer. While he loves to write orchestral music, he also enjoys composing electronica, jazz, folk, and sacred music. Having lived in Illinois, California, Romania, Kentucky, and Utah, Daniel now calls Nashville, Tennessee home.
Let's Pop
Let's Pop
Let's Pop
The lid
The lid
The lid